Let's
talk about the new album. "Backyard Babies' represents
what the BYB are nowadays, after twenty years of activity.
Somebody describes it as a more mature and very inspired
'Diesel and Power'. What do you think about that?
Nicke:
I think it's weird that people talk about 'Diesel
and Power' in a way, because I have never really thought
about that. But if you mention like that, maybe. It's
still the same band, it's still the same four band
members, it's still the same basic idea that we had.
To play good rock'n'roll music and to keep on focusing
on great songs, instead of just trying to hiding behind
productions.
Dregen:
For me it's kind of weird because we were so young
when we did 'Diesel and Power', we didn't even need
to shave, we were like fucking babies, I think that
you're hearing the same band, the same band members
and the same idea of Backyard Babies. It's just we
were 15 years old but now we're 35. Still today we
love the albums we loved when we were 15. It's still
pretty much the same guys, but that just got older.
It's why the
album is just called 'Backyard Babies'. Because it's
still just you.
Dregen: Yes, it totally represents
all what the band has learnt thru the years.
The new album's
cover is an obvious tribute to a picture shot in the
30s by Ebbets: there are a bunch of workers having
lunch on a steelbeam mid air, during the construction
of the Rockfeller center in New York City. How did
you come up with this idea?
Dregen: Micke,
the photographer and layout guy! He’s been doing
all of our album covers ever since (“Diesel
and Power” as well). We were sitting having
a meal on a pizzeria wondering what we should do for
the next album, and there was this picture on the
wall. I grew up seeing this pictures everywhere! And
we were like “Oh that’s classic! We should
do something THAT classic”, and he was like
“I’ve never seen a band doing a pastiche
of that picture”. And also I found out later
that in that bulding, on the original photo, there
were the RCA offices, our old label in New York we
left.
And also I remember my first experience with music
in my all life: was a little picture of KISS when
I was 5 or 6, a picture of 1976 of the Empire State
Buildings with this kind of blue-ish background! So
it was a little mix between the two pictures.
I have a theory
that the helicopter that is behind Dregen's back is
about the Hellacopters disbanding? Am I correct?
Nicke: Yes! How
many people are falling out? Just 5… even the
piano player.
In some of the
new promo pics you chose, you are all black and blue,
and these pictures are quite unusual. What was the
inspiration for this pics and who came up with the
concept? Was this photoshoot done by Micke Erikson
of Mindustries, or did you use another photographer?
Nicke: I’s
not him, it’s another photographer actually.
Dregen: We thought it was fun, I
like those pics.
How did you decide
on "Fuck Off and Die" as a first single?
Dregen: Our new
album has maybe 5, maybe 6 singles and I don’t
think “Fuck Off And Die” is number one
hit single in a way, but after 20 years of being struggling
with record companies, we formed our own record companies,
in fact you’re talking to the two “Billion
Dollar Babies” record company bosses here! So
often your record company bosses tell you, you can
never have “Fuck Off And Die!” on the
media. And if you listen to a radio station today,
you notice there’s so much music coming in,
such as “I love you baby you’re so enchanting
today...”
So you just wanted
to say fuck…
Nicke: Yes in fatc our next single
is called “Fuck You Fucking Fuck, Fucking Fascist
Also”.
How did you come
up with the concept for the video?
Dregen: The lyrics
of “Fuck Off And Die” are not so aggressive,
it’s actually kind of positive, it’s about
myself and that every human being has to be polite
and nice of course, but everybody has a dark side,
it’s like a ying and yang. It’s about
when my dark side is coming out a little bit too much
and doing too many stupid things. So I want the dark
side to go fuck off and die. The video is about playing
with shadows. Those shadows are our dark side.
The idea actually comes from an old comic book I used
to read when I was a kid: Lucky Luck. He shot faster
then his shadow!
Have you decided
what your next single will be yet?
Nicke: Yes, it’s
nomadic.
I would have
chosen “Abandon”!
Nicke: That would be probably the
3rd single!
In the japanese
edition's bonus track, the piano is played by Dizzy
Reed, of Guns'n'Roses. Did you already know him? Were
you already friends? Or did you just contact him to
do this one part of your album?
Nicke: We met Dizzy many years ago
and we’ve been friends ever since. He always
wanted to work with us, he always thought we needed
piano in our songs, he said he would have loved to
be in our records, it never happened until now, when
we asked him to play piano on “Saved By The
Bell”. Has been fun, awesome.
In “Zoe
is a weirdo” the lyrics say: “So put her
boyfriend back in Danko’s trunk”!
Is the "Danko" that you mention, your friend
Danko Jones?
Dregen: When we took Danko Jones
out in 2000 in the “Making Enemies” tour,
they had a song called “Cadillac”, which
is on an EP of Danko, and the lyrics included: ‘I
keep your boy in the trunk’. So it’s a
tribute to our friend Danko.
Recently, we
attented a Twisted Sister live show, that, after 25
years of activity are still one of the best live bands
ever. What's the best live band ever you saw? A band
that left you literally speachless?
Nicke & Dregen
together: AC/DC!!!
Nicke: AC/DC. If I think about how
old they are today... Angus is like 55 and you don’t
see that on stage. We toured with AC/DC in 2000, they’re
great even now, 8 years after!
Dregen:
I’ve been a KISS fan for ages, and when I was
with Hellacopters, we toured Scandinavia with KISS,
they were good but you could see they played not for
passion, more for cash. AC/DC got passion.
Nicke You know when the show is really good? When
the crowd hits 20 centimetres from the ground.
Dregen:
Bands like Hanoi Rocks can have good shows, but also
bad shows for many reasons. AC/DC shows are ALWAYS
good. The key to maintain for long time, is to have
high standards of your gigs. That’s why AC/DC
are still great today! You’ll never be disappointed!
Do you like the
new album?
Dregen: I only
heard the single “Rock’n’Roll train”,
but AC/DC is like fucking Coca Cola. You know what
you get!
Dregen, looking
at your MySpace profile we noticed that you recently
published a painting called “Höghus”,
where we can find different symbols that represent
parts of your life: three wise monkeys, a skeleton,
car toys, dice, a spaceman walking next to a mirrored
disco balls. Why did you chose these subjects? What's
their meaning for you?
Dregen: Oh now
you’re talking to my artistic side…
Nicke: Ooh I’ll be back in
5!
Dregen:
“Höghus” means skyscraper. This is
my first commercial painting that people can actually
have it in the living room. So I wanted to give away
part of my life I’ve been growing up with. I
found an old drawer from the 40s and I turned it upside
down for the painting.
When I was a kid, I’ve lived in a building for
10 years. I realized I’ve never seen my neighbours’
living room, or what kind of sofa they had or paint
on the wall We live so close but anyone is so far
away. That was the main idea.
Dregen, you have
grown a lot as a singer. Have you ever thought of
doing a solo project?
Dregen: No, maybe if I’d time
off, but we’re a band and we can’t really
find time.
Nicke, is it
the same for you?
Nicke: We write
lots of songs constantly and most of them are coming
down to Backyard Babies. Even if you write a song
that’s not meant to be a Backyard Babies song,
it end ups as a Backyard Babies songs anyway, when
it’s time to make a new album.
It’s cool to play with other musicians because
you learn a lot. We’ve been together for 20
years, I perfectly know what kind of riff Dregen is
putting on that part of the song. Working with other
musicians you get new inspirations. A solo album would
be “I got nothing to do, I’m taking 2
years off”
Dregen:
I have a hobby band with the drummer from Hellacopters,
called “Midlife Crisis”, we realized two
7” singles, and also I’ve been working
with a swedish artist that sing in swedish, but if
we’ve been together for 20 years and nobody
has done a solo album is because we don’t really
have music that we can’t get out thru Backyard
Babies we’re pretty open-minded, even if Nicke
presents a country song, we can turn it inside down
and it’s still the same song., it turn out to
be a Backyard Babies song. So solo stuff is for people
that is not very satisfied after his position in the
band.
Nicke:
Even when we did a song for a TV, we never thought
that could and up as Backyard Babies sound, but it
perfectly fits.
Dregen:
If I‘m gonna do a solo thing, it’s not
gonna be a solo at all, because it would probably
be featuring Nicke Borg on vocals. There are so much
artists you want to work with. Over the yeas we met
a lot of new friends that would turn into a fun thing.
I would form a band, and use different musicians for
all different songs. But I think it’s easier
to win the national lottery than to get all the musicians
to be free at the same time to record with you.
Dregen, you recorded
'Pirates Of The Baltic Sea' with Mike Monroe, Jussi,
Adam Bomb and Kory Clarke. Talk to us about this experience.
Dregen; I forgot about that! It’s
a charity ting, Finland did the same thing we did
in Sweden. We had a tour in 2006 called “Where
The Action Is”, going on in Sweden, including
bands like: Millencolin, Backyard Babies, The Hives,
Hellacopters ecc. It shown up that at least one member
of each band was really into fishing. And we thought
that there were so much pollution in the water and
all the fishes were dying ecc.. And the guitarist
from Millencolin, Erik Ohlsoon, had the idea to make
a compilation cds that we would sell and all the money
would be collected so give away to save the sea. We
collected 38.000 euro so far. And now Finland is doing
kind of the same. Mike Monroe recorded “Pirates
Of The Baltic Sea”. That song is going to be
in a very popular magazine in Finland (sorry I don’t
remember the name) and the song is for free if you
buy the magazine!
You've been in
close quarters for 20 years now. What would you say
is each others best and worst qualities?
Nicke: Wow! Best
and worst qualities? It’s just that you don’t
see the good qualities, just all the worst ones.
Dregen: About Joan, the is that he’s
really lazy, but the best it’s that he’s
really trusty. When you need him, you know he’s
there.
And Peder Carlsson, he’s kind of schizophrenic.
He’s very productive, but boring when it’s
about cables ad recording stuff, but he still have
blackouts about songs we played 4000 times
Nicke:
And he loses his phone about 3 or 4 times in a day.
Dregen: Yeah he has the best phone,
and he loses it constantly!
And what
about the two of you? Think about your shadows!
Dregen:
I don’t really know! Maybe Nicke is very tough
about his decisions and directions, hard to convince
him. That is both good and worst quality. He never
gives up. He’s hard to fool.
Nicke:
I think in general that’s the best and worst
quality of each one of us. We’re stubborn, every
record is a struggle, every tour is a struggle, most
of the band would have given up so far. We have a
background that nobody has!